Bharata Natyam is considered to be a 'fire dance' — the mystic manifestation of the metaphysical element of fire in the human body. It is one of the five major styles (one for each element) that includes Odissi (water), Mohiniattam (air), Kuchipudi (earth) and Kathakali (sky). The movements of an authentic Bharata Natyam dancer resemble the movements of a dancing flame.
In ancient times Bharata Natyam was performed as "Sadir attam" (court dance) by Kovil (temple) Devadasis. E. Krishna Iyer and Rukmini Devi Arundale renamed the "Sadir attam" as "Bharathanatyam" in 1930s. Many of the ancient sculptures in Hindu temples are based on Bharata Natyam karanas or dance postures. In fact, it is the celestial dancers (apsaras) who are depicted in many scriptures as dancing the heavenly version of what is known on earth as Bharata Natyam. In the most essential sense, a Hindu deity is a revered royal guest in his temple/abode, to be offered the "sixteen hospitalities".
In ancient times Bharata Natyam was performed as "Sadir attam" (court dance) by Kovil (temple) Devadasis. E. Krishna Iyer and Rukmini Devi Arundale renamed the "Sadir attam" as "Bharathanatyam" in 1930s. Many of the ancient sculptures in Hindu temples are based on Bharata Natyam karanas or dance postures. In fact, it is the celestial dancers (apsaras) who are depicted in many scriptures as dancing the heavenly version of what is known on earth as Bharata Natyam. In the most essential sense, a Hindu deity is a revered royal guest in his temple/abode, to be offered the "sixteen hospitalities".
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